KS: So much of the family dynamic is worked out in the film: resentment jealousy hurt acceptance. I think they saw the same dedication in us.

It was clear to us from the start that even though their relationship with Saar for many years was quite difficult, they never stopped caring for him, or considering him one of them. How were you able to convince his family to appear as themselves and speak openly about their emotions and expectations and disappointments?Д«H: I think they agreed to appear in the film because they knew how much we respected and liked Saar. The family relationships you depict in your film are very intimate, conflicted, and in some cases even compromising. KS: WhoвЂ™s Gonna Love Me Now reminds me of the beginning of Anna Karenina, about how all happy families are alike, and each unhappy family is unhappy in its own way. But in 2011 he decided it was time and said letвЂ™s go for it. At the time when they met, and for several years afterwards, Saar didnвЂ™t want his story published or made into a film. They had a one night stand, and in the morning he saw Saar put on a yarmulke, and listened as Sar began to tell Tomer his family story. Ken Shulman: Where did the idea for WhoвЂ™s Gonna Love Me Now originate?Д«arak Heymann: My brother Tomer met Saar, the main character of the film, some 20 years ago in a gay bar in London. Barak Heymann recently spoke with the BJFFвЂ™s Ken Shulman.

Drawn to stories of people вЂњliving on the fringe,вЂќ they have produced feature length documentaries about a joint Jewish and Arab school, about legendary Israeli choreographer Ohad Naharin, and an intimate portrait about their extended family in Israel and the United States. Brothers Barak and Tomer Heymann have collaborated on nearly 20 documentary projects since Barak joined the company in 2003.

Who's gonna love me now